Compagnia Sonadùr di Ponte
Caffaro
Pas en amùr
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1)
Bal francés
2) Mascherina
3) Oibò
4) Monichèla
5) Landerina
6) Pas en amùr
7) Salta 'n barca
8) Sefolòt
9) Zingarèlla
10) Molèta |
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11)
Spasacamì
12) Partenza Manöèl
13) Fiorentina
14) Biondina
15) Bas de tach
16) Bosolù
17) Franceschèta
18) Bal de Iusegn
19) Bal de l'urs
20) Cadina |
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21)
Tonina
22) Ròse e fióri
23) Segnù
24) Ariòsa
25) Scòtis
26) Pastorèla
27) Monfrina La e Mi
28) Monfrina de Marcèlo I
29) Monfrina Sol e Do
30) Monfrina de Marcèlo II |
Total time: 77:00
Musicians
Gigi Bonomelli,
Andreino Bordiga, Bernardo Falconi, Lorenzo Pelizzari: fiddles
Paolo Bianchi,
Aurelio Salvini, Buonaventura "Rino" Salvini: three-stringed
bass
Luca Dossi, Edoardo
Scalvini, Francesco Scalvini: guitars
The
musical
tradition in the Caffaro Valley, sited in the north-east Alps of
Lombardy, in the province of Brescia, is featured as one of the most
interesting fiddle traditions all over Northern Italy. It is still
alive and in progress since it is closely linked to the rite of
Carnival.
The fiddle repertoire in the Caffaro Valley is made of twenty-four
ritual dances, which are similar both in Ponte Caffaro and Bagolino.
Ariòsa, Bal francés, Bas de tach, Biondina, Bosolù, Franceschèta,
Mascherina, Molèta, Monichèla, Oibò, Pas en amùr, Ròse e fióri, Salta
'n barca, Sefolòt, Spasacamì e Tonina, they have always been played in
Ponte Caffaro.
In the second half of the 70s, five dances no longer in use were
reintroduced: Bal de Iusegn, Landerina, Partenza Manöèl, Segnù,
Zingarella, notified by Marcello Buccio (1912-1978) a fiddler of Ponte
Caffaro Fellowship up to 1977.
In the 1985 Carnival two dances were restored: Bal de l'urs, Cadina,
notified by Costante Cosi (1917-1988) a fiddler in Bagolino, member of
Ponte Caffaro Fellowship from the late 40s to the 50s.
In the 1991 Carnival the dance Fiorentina was restored, notified by
Stefano Bordiga (born 1913), a fiddler in Bagolino, and a member of
Ponte Caffaro Fellowship in the 40s and 50s.
The four Monfrinas round off the Carnival repertory. They are danced in
the Carnival time, outside the Fellowship, without any figurations and
with the same rant step used in the ritual dance.
Except one, all these Monfrinas have come up to us without title. Two
of them: La bella inglesina, better known as La e Mi and Monfrina de
Ciù, better known as Sol e Do, have always been played; the other two,
altough well known by all the elder fiddlers, had not been executed for
years. They were first collected in 1977, rein-troduced early in the
80s and called Monfrine de Marcèlo out of Marcello Buccio who handed
them down.
The Pastorela is the only instrumental Christmas tune still in use and
executed on the night of Christmas Eve.
The Scotis, a dance once very appreciated but no longer executed (the
Scottish), was played again thanks to Andreino Bordiga - born in 1931 -
the veteran fiddler in the present band, active since 1955 carnival.
the CD is
produced by Associazione culturale Barabàn
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